塞伦盖蒂3

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Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.　　Does a film exist if no one has seen it Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country t...

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　　DESCRIPTION
　　Did you know? In the quest for world domination, the Nazis built some of the biggest and deadliest pieces of military hardware and malevolent technology in history?
　　Creating huge terror machines, hi-tech superguns and some of the original weapons of mass destruction, their aim was to control a nation, conquer a continent and win the war!
　　Over six unforgettable episodes, Nazi Megastructures uncovers the hidden remains of Hitler’s most ambitious Megastructures, telling the stories of the engineering geniuses that designed them and revealing how these structures sparked a technological revolution that changed warfare forever.
　　EPISODE GUIDE
　　Nazi Megastructures: The Atlantic Wall
　　Discover the story behind the defensive wall, stretching thousands of kilometres, built by the Third Reich to protect themselves from the Allies.
　　Nazi Megastructures: U-Boat Base
　　To create a safe haven in port for their lethal U-boat submarines, the Nazis built massive, impenetrable submarine pens that still survive today.
　　Nazi Megastructures: V2 Rocket Bases
　　Discover how Nazi scientist Wernher von Braun heralded the birth of ballistic missiles and laid the technological foundations for the space race.
　　Nazi Megastructures: Super Tanks
　　The story of Nazi engineers tasked with fulfilling Hitler's megalomaniac demand for the construction of a land battleship weighing 1,000 tons.
　　Nazi Megastructures: Hitler's Jet Caves
　　Explore the story behind one of the most advanced aeroplanes of WWII, the Messerschmitt Me 262, and the subterranean bat-cave where it was built.
　　Nazi Megastructures: Fortress Berlin
　　April 1945. Safe in his heavily fortified FŸhrerbunker in the centre of Berlin, Hitler prepares for the Allies' final attack.

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这个故事讲述了哈尼夫 (Hanif) 的故事，他是纽瓦克的一名穆斯林棺材制造师和仪式洗身师，他收留了两个年轻人纳兹 (Naz) 和福尔坎 (Furquan)，教他们如何过上更好的生活。

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一头座头鲸搁浅在一片人迹罕至的海岸。救援的号角悄然吹响，一群人奔赴而来，在他们挽救生命的行动中，一段关于鲸类的动人故事缓缓展开——这些广袤海洋的古老居民，自五千多万年前便与地球命运相连，是维系星球生态平衡的关键存在。

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Former Chief Official White House Photographer Pete Souza's journey as a person with top secret clearance and total access to the President.

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1912年4月14至15日夜间，号称“永不沉船”的泰坦尼克号沉没。今年距这起事故发生已有110周年，在此之际，意大利Rai电视台的《尤利西斯·探索之乐》系列纪录片主创团队前往泰坦尼克号的途径地，在幸存者后人叙述和其他史料的基础上，加以一定想象，尝试重构事故发生的过程。如主持人在片中所说，泰坦尼克号不仅仅是一艘轮船，实际上也是当时整个社会的缩影，船上有严格的等级划分，具体体现为乘客吃住、在轮船上的穿梭权利以及灾难发生时的逃生先后等。令人叹惋的是，这原本可以是一段截然不同的故事，“如果当晚船行驶地再慢一点”，“如果船长听取了其他船报告冰山的消息”，“如果那晚有月亮”，这场悲剧或许就能够避免，但可惜，历史从不予我们再来的机会。

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女子篮球队自 1977 年以来在 20 届东运会比赛中夺得 13 枚金牌的故事。

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Explores the life and murder of Annie Mae Aquash, a Mi'kmaq woman from Nova Scotia, Canada whose death in the 1970s went unsolved for almost 30 years.

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文德斯1995年的纪录片，其实是他在慕尼黑电影学校教学期间鼓励学生们一起跟他玩的纪录片。纪录片献给了德国电影先驱　　与卢米埃尔几乎在同时发明电影的德国人马可斯兄弟。因为素材少，于是就用默片的方式来搬演。影片前15分钟可以单独成章，是用马克斯女儿的旁白来演出父亲如何发明活动影像。随后才放入当时已白发苍苍的女儿露西的访谈。　　文德斯还嫌玩得不够，于是把照片里的三兄弟之一和露西的姐姐一起请出来，黑白的他们和彩色的世界。又是一出天使下凡的《柏林苍穹下》，那些漂亮的移动镜头配合了先人抬头观看的黑白画面，说不出的美丽。

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这部纪录片讲述了一群诈骗犯操纵欧盟碳排放配额系统，骗取数百万欧元，随后发生内讧的兴衰史。

简介：

　　Mehran Tamadon explores what it was like being interrogated by the Iranian regime by asking prisoners to reconstruct their experiences.
　　Alongside his companion film Where God Is Not, My Worst Enemy finds Tamadon shifting focus from the interrogated to the interrogator. The filmmaker sought an individual who had been interrogated by Iranian authorities in order to draw on their experiences to play an interrogator. The role finally fell to the Cannes-winning lead actor of Holy Spider, Zar Amir Ebrahimi. Together in an anonymous room, with Tamadon stripped to his underwear, they reconstruct the interrogation process, which gradually becomes an examination of the nature of power and coercion. The resulting film is intense and, at times, uncomfortable. And as it progresses, My Worst Enemy becomes an exploration of cinema’s relationship with its audience, questioning whether there is a limit to what it can show.