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全面揭发印度板球造假丑闻高清海报 - 星影网_免费影视网站无广告-最新手机在线电影-电视剧大全免费全集观看-免费短剧-免VIP-SVIP超前点播免费在线观看
313
6.0

全面揭发印度板球造假丑闻

导演:

Supriya Sobti Gupta

主演:

未知

别名:

未知

影片信息

6.0

313人评分

英语

语言

2023-03-17(印度)

上映时间

78分钟

片长

影片简介

这部体育纪录片探究了印度最大的假球丑闻、深陷其中的著名人物,以及揭露腐败内幕的记者。

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陪审义务高清在线观看 - 星影网_免费影视网站无广告-最新手机在线电影-电视剧大全免费全集观看-免费短剧-免VIP-SVIP超前点播
625
9.0
已完结
陪审义务

评分:9.0

更新时间:02月08日

主演:詹姆斯·麦斯登,Alan Barinholtz,Susan Berger,Cassandra Blair,Rashida “Sheedz” Olayiwola,David Brown,科克·福克斯,Ross Kimball,普拉莫德·库马尔,特丽莎·拉法切,梅基·莱柏,Brandon Loeser,Edy Modica,Kerry O’Neill,Whitney Rice,玛莉亚·罗素,Ishmel Sahid,本·斯沃德,Ron Song,Evan Williams

简介:

  由《麻木不仁》“Steve” James Marsden领衔参与的《陪审义务》(Jury Duty)公开,剧集将于4月7日首播,首更四集,4月21日季终。
  本剧将会是一部以法院为背景、糅合纪录片元素的多镜头喜剧。
  它通过一位叫做Ronald Gladden的陪审员作为视角,记录了陪审团审判制度的内部运作。Ronald并不知道整个案件都是假的,除了他之外,每个人都是演员,包括James,而且发生的一切——法庭内外——都是精心策划的。
  这个高度保密的项目在去年9月首次被披露,将会是一个十分独特、类型突破、将整个故事置于陪审团进行裁决的观察;它会有点模仿Sacha Baron Cohen在《波拉特》以及其它作品(与他曾经合作过的几名制片人也在主创团队)、Nathan Fielder等节目的形式,依靠James与一些演员没有脚本的即兴互动、无法预测的既定走向创造效果。
  James早前和一群有着即兴喜剧背景的演员以及被真实传唤、担任陪审员的普通人进行了拍摄,并在洛杉矶南部的一个真实法庭完成了拍摄。这是在他于《西部世界》演出之外,抽空完成的。
  除去James 之外,其它较为人熟悉的演员包括《情何以堪》“Luke” Evan Williams、《最后的大亨》“Mary” Whitney Rice、《爱芯》“Xtra” Edy Modica、《大学女生的 性生活》“Eric” Mekki Leeper、和《保留地之犬》“Kenny” Kirk Fox。

阅读量:2457

年份:2023

陪审义务

主演:詹姆斯·麦斯登,Alan Barinholtz,Susan Berger,Cassandra Blair,Rashida “Sheedz” Olayiwola,David Brown,科克·福克斯,Ross Kimball,普拉莫德·库马尔,特丽莎·拉法切,梅基·莱柏,Brandon Loeser,Edy Modica,Kerry O’Neill,Whitney Rice,玛莉亚·罗素,Ishmel Sahid,本·斯沃德,Ron Song,Evan Williams

情感的力量高清在线观看 - 星影网_免费影视网站无广告-最新手机在线电影-电视剧大全免费全集观看-免费短剧-免VIP-SVIP超前点播
386
5.0
HD中字
情感的力量

评分:5.0

更新时间:02月09日

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

简介:

  The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
  Alexander Kluge: The Power of Feeling
  When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
  The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
  The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
  I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

阅读量:4895

年份:1983

情感的力量

主演:Hannelore Hoger,Alexandra Kluge,Edgar M. Böhlke

全面揭发印度板球造假丑闻

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